DR. DREW TURNS BEET RED-JOYFUL NOISE OR JOYFUL PLANTATION?

Notice the Black Man was bold enough to grab the Black Female’s Gluteus Maximus (Butt), yet none of the Black Men on stage or in the audience, proved bold enough to grab Dr. Drew by his GODDAMN neck and chokes the shit out of Dr. Drew for causing the 400 year rift and/or psychological destruction that exists within the Black Family Unit. The video reveals the savage state of mind the Black man is in, and that type of savagery will not be excused by a mere “TIMEOUT” like Dr. Drew placed upon the Black Man. It will require a Saddam Hussein style lynching of any Man how defiles women in this manner.

If you look closely you will see Dr. Drew turning red, think about it, Dr. Drew is one of America’s best Social Scientist, yet even he is not equipped to deal with the monster, his Caucasian Father, his Caucasian Grandfather and his Caucasian Great-Great Grandfather, created. The Black Female in the video was making amends with the Black Male, and that in the Caucasian Collective is a No-No for those Social Scientist who Puppeteer the Black Brain Computer. So the Puppeteers and/or Social Scientist ran back to the laboratory and said, “Even though we have neutralized the Black Male threat, the Black Female Subject still demonstrates strong desire and attraction to the Black Male Subject, we must program and/or prime the Black Female Subject to desire and/or admire the Caucasian Male. One must over/under-stand that it was the Caucasian Collective that created the Pathological Condition that exists in the Black Brain Computer. Now, to show how deeply rooted the programming and/or Psychological Destruction of Black People has become, we must examine this snap shot in the Space-time Continuum from the perspective of the Plantation Paradigm. In that, we see Black People (The Slaves) returning to Social Scientist like Dr. Drew (The Slave Master) for mediation and/or relationship counseling. Therefore, how in the hell do Black People expect to reconcile male and female relationships within and among their Slave Masters Plantation Paradigm, especially when the Slave Master has a vested interest (i.e. White Genetic Survival) in the total destruction and/or neutralization of the Black Male.

Wait-for-it…Wait-for-it…ABRACADABRA! The movie “Joyful Noise” is introduced to the public. “Joyful Noise” keeps in lock-step with destructive and counterproductive caricatures of Black Males, in that, the Black Father figure is missing, and replaced by a punk ass preacher who is so self-righteous that he can never have a serious love interest in the Mainstream Caucasian Society. Dolly Parton is an excellent choice to play opposite to the Mammy caricature played by Queen Latifah. Hence, Dolly Parton earned her claim to fame in the mind’s eye of Racist-Red-Necked-Caucasian White Supremacists. All-in-all, “Joyful Noise” represents the unification of the Caucasian Female and the Black Mammy within the Plantation Paradigm, where they set aside their anxed over “White Genetic Annihilation”, and work together to Encourage Caucasian Males and Black Females to consider each other as sole-mates.

Once again Hollywood, or should I say, “HOLLY “SHALOM” HOOD”, serves the Caucasian Brain Computer comfortable and soothing Black Stereotypes, while at the same time blatantly demonstrating the eradication and/or neutralization of the Black Male Threat. Hey Dr. Phil, what does your PUNK ASS have to offer?